Cera’s great, but the rest.īecause the film lacks a strong all-around supporting cast, Arnett’s bluster and bravado edge toward wearing thin by the film’s end. Arnett’s cocky, pompous Batman is only interested in the justice that he himself renders, so he spends the rest of the film scheming to free-and, surely, successfully recapture-the Joker. After nearly capturing the Joker in the opening encounter, someone else manages to do so: new commissioner Barbara Gordon. He microwaves his own dinners for one, watches romantic comedies alone, and sits in a palatial Wayne Manor in a bathrobe with his bat helmet still affixed.Īlfred tries and fails to remind Batman about pride before the fall, which at least puts the caped crusader in the interesting place of being his own villain. For all of his chest-puffing, reinforced by a lengthy opening rock song sung by Arnett (with lots of cheeky "na-na-na-na-Batman" moments), this Batman is a total loner. He likes announcing himself as a hero, bragging about his abs, and boasting that he's the only guy with good ideas. For the uninitiated: other than not killing people and being a rich orphan, this Batman has pretty much zero in common with any other version of the hero. The film’s momentum is spared somewhat by Arnett, whose cheeseball, overconfident take on Batman carries over from his last try at the role. The result is one of the flatter cartoon-villain performances in recent memory, and certainly a far cry from Will Ferrell’s zany turn in 2014’s Lego Movie. He’s neither enjoyably bonkers nor entertainingly turned on the usual Joker tropes. Galifinakis as a Joker cannot make up his mind between the devilish glee of a Mark Hamill or the neurosis of Galifinakis’ own stand-up material. Batman takes this opportunity to retort, saying that this is a relationship he could do without. (Batman’s just not that into you, man.) This send-up will probably seem cuter to anybody who isn’t familiar with The Killing Joke, an Alan Moore graphic novel with essentially the same (albeit far darker) pining-Joker motif that received its own straight-to-video adaptation last year.īut it’s not just that this gag has been done before. “You’ve never said you hate me!” Joker pines. (Clayface’s Lego transformation in particular is a visual treat, made up of a towering swarm of swirling, ill-fitting pieces.) Yet within minutes, that cast of villains is pushed off the film's figurative play table, and we’re zoomed in to a conflict that Lego Batman focuses on for most of the film: the Joker’s burning wish for Batman to care about their adversarial relationship. This cacophony of villains seems like the perfect thing for an overblown, cheesy take on Batman, with the villains’ silly, minifig versions jumping around and belting in-jokes and catch phrases.
This wild opening sequence, complete with an amusingly sarcastic setup for how the bad guys launch their plot, exploits the film’s Lego-ized potential-then almost immediately yanks it away. The famous (Two-Face, The Penguin), the lesser-known (Clayface, Killer Croc), and even the wait-are-these-real (The Eraser, Polka Dot Man) are all here. Will Arnett’s version of Batman returns from The Lego Movie, and he opens the film saving the day from The Joker (Zach Galifinakis), who has recruited pretty much every Lego Gotham villain you could imagine to bombard Gotham City.
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REMOVED OR UNAVAILABLE" on download page - send us email and we reupload files during the day and write you in replied email.īaby Lullaby Festival (103) Best Disney Songs 2020 (128) Billboard Baby Lullabies (125) Caspar Babypants (176) Cedarmont Kids (280) Dr.Barbara Gordon lashes out against Batman's brand of vigilante Lego justice. If you see message "UNFORTUNATELY THIS FILE IS
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